Perspectives of New Music Fall 1962

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  Front MatterSource: Perspectives of New Music, Vol. 1, No. 1 (Autumn, 1962)Published by: Perspectives of New Music Stable URL: . Accessed: 15/10/2014 01:30 Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at  .  . JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new formsof scholarship. For more information about JSTOR, please contact  . Perspectives of New Music  is collaborating with JSTOR to digitize, preserve and extend access to Perspectivesof New Music. This content downloaded from on Wed, 15 Oct 2014 01:30:09 AMAll use subject to JSTOR Terms and Conditions  PERSPECTIVES OF NEW FALL 19 6 2 This content downloaded from on Wed, 15 Oct 2014 01:30:09 AMAll use subject to JSTOR Terms and Conditions  Arthur Berger, Editor Benjamin Boretz, Associate Editor Advisory Board: Aaron Copland, Ernst Krenek, Darius Milhaud, Walter Piston, Roger Sessions, Igor Stravinsky Editorial Board: Milton Babbitt, Arthur Berger, Benjamin Boretz, Elliott Carter, Lukas Foss, Leon Kirchner, Billy Jim Layton, George Perle, Mel Powell, Gunther Schuller, Seymour Shifrin Editorial communications nd manuscripts hould be addressed to: Editorial Office, 25 West 86th Street, New York 24, N.Y. Subscriptions: Perspectives of New Music, Princeton University Press, Prince- ton, N.J. Rates: $4.00 a year, $2.50 an issue. Copyright, 962, by Princeton University ress Perspectives of New Music. Published twice yearly by Princeton University Press for the Fromm Music Foundation. Fall 1962. Volume I, No. 1. Entered as Second Class matter n the Post Office t Princeton, New Jersey, under the Act of March 3, 1879. Printed n the United States of America by Princeton University ress. Music illustrations y Music-Book Associates. The emblem on the cover is a reproduction of a drawing made by Igor Stravinsky s a visual representation f his recent music, srcinally published in Igor Stravinsky nd Robert Craft, Conversations with Igor Stravinsky, New York: Doubleday, 1959, p. 120. Copyright 1958, 1959, by Igor Stravinsky. Used by permission. The music examples in this issue are reprinted by kind permission of the copyright wners as follows: Boosey and Hawkes, Inc., New York. Copland: Nonet, Copyright 1960; Piano Quartet, Copyright 1952; Piano Sonata, Copyright 1942; Piano Variations, Copyright 1932. Edward B. Marks, Inc., New York. Sessions: Quintet, Copyright 1960; Violin Concerto, Copyright 959. C. F. Peters Corporation, New York. Schojnberg: Phantasie, Op. 47, Copyright 1952. G. Schirmer, nc., New York. Sch5nberg: 4th Quartet, Op. 37, Copyright 939; Violin Concerto, Op. 36, Copyright 1938. Associated Music Publishers, nc., New York. Scho5nberg: uite, Op. 25, Copy- right 1925 by Universal Edition, Vienna. This content downloaded from on Wed, 15 Oct 2014 01:30:09 AMAll use subject to JSTOR Terms and Conditions  CONTENTS FALL 1962 PAUL FROMM Young Composers: Perspective and Prospect 1 ARTHUR BERGER and BENJAMIN BORETZ Editorial Note 4 In Memoriam: Irving Fine (1914-1962) 6 IGOR STRAVINSKY and ROBERT CRAFT A Quintet of Dialogues 7 EDWARD T. CONE Stravinsky: The Progress of a Method 18 ERNST KRENEK Tradition in Perspective 27 KARLHEINZ STOCKHAUSEN The Concept of Unity n Electronic Music 39 MILTON BABBITT Twelve-Tone Rhythmic Structure and the Electronic Medium 49 CHARLES ROSEN The Proper Study of Music 80 DAVID LEWIN A Theory of Segmental Association in Twelve-Tone Music 89 ANDREW IMBRIE Roger Sessions: In Honor of His Sixty-fifth irthday 117 COLLOQUY AND REVIEW ELLIOTT CARTER The Milieu of the American Composer 149 This content downloaded from on Wed, 15 Oct 2014 01:30:09 AMAll use subject to JSTOR Terms and Conditions
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